89th Academy Awards: The Aftermath

Photo courtesy of Variety.

Photo courtesy of Variety.

This day has been quite an emotional roller-coaster for me (I downloaded the awards show last night as I isolated myself from all news and social media).

After missing a lot of categories in the first half, I was convinced that La La Land was probably not winning Best Picture… until it started winning big time, getting six wins including major awards for Best Director (Damien Chazelle) and Best Actress (Emma Stone). I know there was the big possibility of a Moonlight win, but then La La Land was announced so I was extremely happy…

Not for long. Moonlight was the actual winner for Best Picture after an unfortunate backstage blunder. La La Land is my favorite to win, but that doesn’t diminish Moonlight’s over-all accomplishment; it’s unlike any other winner, thematically, artistically, emotionally. It’s an important film that doesn’t just serve a social importance. It is a cinematic milestone.

With that mishap, I will treasure both films as 2016’s masterpieces of cinema, alongside others like Arrival and Hell or High Water, among others.

In this year when so many people have declared the death of cinema, I seriously doubt that. The nominees this year have given an encompassing set of human experiences that are the main reason why film is so important.

I actually was kinda happy that Moonlight won since it will save La La Land the reputation of the one that beat the socially significant Moonlight, thus earning it more backlash.

I’d like both films to stand alongside one another as the proof of 2016’s cinematic zenith, together with the several films, nominated or otherwise.

I still have a lot to watch from this year (as I am so near the end of my quest for 2014, mind you), but this slate of Oscar nominees has made me proud to be someone who wants to make films.

And both films make want to make a film soon. We’ll see.


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